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Technological evolution of ceramic glazes in the renaissance: In situ analysis of tiles in the Alcazar (Seville, Spain)

Identifiers
URI: http://hdl.handle.net/20.500.12251/1547
ISSN: 27820
DOI: 10.1111/jace.15955
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Author
de Viguerie, Laurence; Robador González, María Dolores; Castaing, Jacques; Pérez Rodríguez, José Luis; Walter, Philippe; [et al.]
Date
2019
Subject/s

Material cerámico

Revestimiento cerámico

Alcázar de Sevilla

Composición química

Historia de la construcción

Construcción medieval

Esmaltes

Arquitectura árabe

Material de construcción

Composición química

Unesco Subject/s

3313.04 Material de Construcción

3312.03 Materiales Cerámicos

3312.05 Productos de Arcilla

3312.08 Propiedades de Los Materiales

5505.01 Arqueología

5506.02 Historia del Arte

Abstract

The Alcazar Palace (Seville, Spain) is famous for its ceramic decorations; 16th century wall tiles of different typologies have been analyzed in order to relate the manufacturing process of their colored glazes to the evolving technologies of the Renaissance. Chemical and mineralogical compositions have been determined in situ by nondestructive X-ray fluorescence and X-ray diffraction on arista ceramics in the Cenador de Carlos Quinto, and majolica ceramics in the Palacio Gotico and the Royal oratory. The arista style belongs to the local Hispano-Moresque ceramic tradition. Majolica tiles have the complex microstructures of glazes from Italy. The two types are clearly differentiated by their typology, morphology (curved vs flat surface), and also microstructure (single vs multi-layers), glaze chemistry, and use of different coloring agents. Moreover, we found different glaze chemistries in the investigated majolicas, which correspond to different artists and/or practices. © 2018 The American Ceramic Society

The Alcazar Palace (Seville, Spain) is famous for its ceramic decorations; 16th century wall tiles of different typologies have been analyzed in order to relate the manufacturing process of their colored glazes to the evolving technologies of the Renaissance. Chemical and mineralogical compositions have been determined in situ by nondestructive X-ray fluorescence and X-ray diffraction on arista ceramics in the Cenador de Carlos Quinto, and majolica ceramics in the Palacio Gotico and the Royal oratory. The arista style belongs to the local Hispano-Moresque ceramic tradition. Majolica tiles have the complex microstructures of glazes from Italy. The two types are clearly differentiated by their typology, morphology (curved vs flat surface), and also microstructure (single vs multi-layers), glaze chemistry, and use of different coloring agents. Moreover, we found different glaze chemistries in the investigated majolicas, which correspond to different artists and/or practices. © 2018 The American Ceramic Society

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