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dc.contributor.authorTrallero Sanz, Antonio Miguel
dc.date.accessioned2023-07-11T06:22:55Z
dc.date.available2023-07-11T06:22:55Z
dc.date.issued2022
dc.identifier.citationTrallero Sanz, A. M. (2022). The Pantheon of the Duques Del Infantado: Space and Light. Ege-Revista De Expresion Grafica En La Edificacion, (17), 72-90. https://doi.org/10.4995/ege.2022.18218es
dc.identifier.issn1888-8143
dc.identifier.urihttp://hdl.handle.net/20.500.12251/2902
dc.description.abstractThe main branch of the Mendoza family had close ties with the Convent of San Francisco in Guadalajara and chose the convent church’s main chapel as their burial site. In the 17th century, Juan de Dios de Mendoza y Silva, 10th Duke of the Infantado, decided to build a pantheon for his family’s remains inside the church and commissioned Felipe Sánchez to design it. The outcome was a splendid Baroque structure inspired by the pantheon designed by Juan Bautista Crescenzi for the royal family in El Escorial. The Pantheon of the Dukes of the Infantado is neither as grandiose nor as richly decorated as the Pantheon of the Kings in El Escorial, but, from a compositional perspective, its spaces are far richer and its solutions more advanced. Above all, it stands out for the way in which light is used to surprise and move the beholder.en
dc.language.isoenges
dc.publisherUniversitat Politècnica de Valènciaes
dc.rightsAttribution-NonCommercial-NoDerivatives 4.0 Internacional*
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/4.0/*
dc.titleThe Pantheon of the Duques Del Infantado: Space and Lighten
dc.typearticlees
dc.identifier.doi10.4995/ege.2022.18218
dc.issue.number17
dc.journal.titleEge-Revista De Expresion Grafica En La Edificacion
dc.page.initial72es
dc.page.final90es
dc.rights.accessRightsopenAccesses
dc.subject.keywordGuadalajaraes
dc.subject.keywordConventoes
dc.subject.keywordEdificación religiosaes
dc.subject.keywordPanteónes
dc.subject.unesco5506.01 Historia de la Arquitecturaes
dc.subject.unesco5504.03 Historia Medievales


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