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dc.contributor.authorBarberá Pastor, Carlos
dc.contributor.authorMunárriz Ortiz, Jaime
dc.date.accessioned2026-07-01T07:48:23Z
dc.date.available2026-07-01T07:48:23Z
dc.date.issued2025
dc.identifier.citationBarberá Pastor, C. y Munárriz Ortiz, J. (2025). Orfeo, a performance that disarticulates written language from the controversy between human and machine. Artnodes, 2025(35), 1-10. https://doi.org/10.7238/artnodes.v0i35.428543es
dc.identifier.issn1695-5951
dc.identifier.urihttp://hdl.handle.net/20.500.12251/4401
dc.description.abstractThe paper presents an analysis of the multimedia performance Orfeo, which was staged for the Argos research project in Münster, Germany, during the LPM, Live Performance Meeting. A key characteristic of the research project, developed through successive multimedia performances, is the interrelation between technological and human systems in creating these performances. However, the specific content of the Orfeo performance, which pertains to the language of speech and writing, serves as a means to illustrate how technology and other disciplines, such as philosophy, can be intercon-nected when reasoning about written language. The manuscript reveals that the performance engages with a network of technological media, exhibiting a degree of improvisation, where human thought articulated through spoken and written language reveals content often characterized by an emptiness of expression when the visual image is prioritized over the written word. The performance takes on a complex character, not only due to its technological intricacy but also because of the challenge of conveying the absence of the poetic motive, which paradoxically seeks to be articulated through the void of content in the spoken word. © 2025, Universitat Oberta de Catalunya. All rights reserved.es
dc.language.isoenges
dc.publisherUniversitat Oberta de Catalunyaes
dc.rightsAttribution-NonCommercial-NoDerivatives 4.0 Internacional*
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/4.0/*
dc.titleOrfeo, a performance that disarticulates written language from the controversy between human and machinees
dc.typearticle
dc.identifier.doi10.7238/artnodes.v0i35.428543
dc.identifier.urlhttps://www.scopus.com/results/results.uri?sort=plf-f&src=s&sid=efbac17d13948fa53f59065544fecd92&sot=a&sdt=a&sl=18&s=AU-ID%2857195305895%29&origin=searchadvanced&editSaveSearch=&txGid=579f2865ecfa2928f164f2d6c3b4554d&sessionSearchId=efbac17d13948fa53f59065544fecd92&limit=100
dc.issue.number35es
dc.journal.titleArtnodeses
dc.page.initial1es
dc.page.final10es
dc.rights.accessRightsopenAccesses
dc.subject.keywordTeatroes
dc.subject.keywordInteligencia Artificiales
dc.subject.unesco3305 Tecnología de la Construcciónes
dc.volume.number2025


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