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Codifying, Envisioning, and Ideating Through Data on Information Based Designs

Identifiers
URI: http://hdl.handle.net/20.500.12251/3893
View/Open: https://doi.org/10.1007/978-3-031-04640-7_23
ISSN: 2661-8192
DOI: 10.1007/978-3-031-04640-7_23
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Author
Marcos, Carlos; Fernández Álvarez, Ángel José
Date
2022
Subject/s

Digitalización

Arquitectura

Diseño arquitectónico

Unesco Subject/s

3305.01 Diseño Arquitectónico

1203.09 Diseño Con Ayuda del Ordenador

2209.90 Tratamiento Digital. Imágenes

Abstract

One of the fundamental issues raised by Mario Carpo in The Second Digital Turn in relation to the digital revolution in architecture has to do with the paradigm shift that incorporates computational logics and replaces conventional “ways of doing” with new “ways of thinking”. The role that information plays in this context allows for new ideation strategies that often invite architects and designers to incorporate data not as something to be analysed and from which to act and make decisions, but directly as project material, thus enhancing information based designs. Some examples are examined in which, in various ways, data is manipulated, abstracted and digitally processed to help formalise the design proposal. Sometimes following form-finding strategies, sometimes deploying geometries encoded in scripts in order to define the form to recall relevant data from an event or to display the information and explore ways of visualising that data to produce the final configuration. Many of these proposals challenge the limits of temporality traditionally associated with architecture and contribute to define a new phenomenology between users and architecture.

One of the fundamental issues raised by Mario Carpo in The Second Digital Turn in relation to the digital revolution in architecture has to do with the paradigm shift that incorporates computational logics and replaces conventional “ways of doing” with new “ways of thinking”. The role that information plays in this context allows for new ideation strategies that often invite architects and designers to incorporate data not as something to be analysed and from which to act and make decisions, but directly as project material, thus enhancing information based designs. Some examples are examined in which, in various ways, data is manipulated, abstracted and digitally processed to help formalise the design proposal. Sometimes following form-finding strategies, sometimes deploying geometries encoded in scripts in order to define the form to recall relevant data from an event or to display the information and explore ways of visualising that data to produce the final configuration. Many of these proposals challenge the limits of temporality traditionally associated with architecture and contribute to define a new phenomenology between users and architecture.

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